Tag Archives: storytelling

Lemon Difficult: Building a Strategic Speculation Consultancy


Joseph LindleyJoseph Lindley works with design fiction in order to facilitate meaningful speculation about the future. In between he likes to make music, take photographs and combine the other two with things that fly. Quoting from his 2012 song Tingle in the Finger: it’s a designed world, balanced and slippy. Artificial. I see beauty, not a little superficial. Colder wind.

Editors Note: When I agreed to collaborate with my friend Dr. James Duggan in order to explore a future where corporate taxation was transparent, I had no idea that it would ultimately result in me writing an introduction to my own blog piece on Ethnography Matters. To explain: at an event to share the results of our design fiction tax project (that I did with James) I ended up talking to Heather, and was pleasantly surprised to discover that she was one of the people behind this website. I was aware of Ethnography Matters because of citing Laura Forlano’s posts while writing about ‘anticipatory ethnography‘ for EPIC. Through the wonder of serendipity, that citation, the collaboration with James, and the conversation with Heather has lead to this introductory paragraph being tapped out on my keyboard. Amazing! This seems like the best place to say a massive thank you to the Ethnography Matters team for their extensive and friendly support through the process. Also a massive thank you to Rob, Ding and Dhruv who contributed posts. Hopefully what we’ve collectively written will be of use, interest, or act as some kind of stimulus to provoke new insights about ethnography. So long, and thanks for the all the fish.

This post is part of the Post Disciplinary Ethnography Edition based on work done at the HighWire Centre for Doctoral Training and curated by Joseph Lindley. The other articles in the series are “What on Earth is Post Disciplinary Ethnography?“, “What’s the matter with Ethnography?“, “Everybody’s an Ethnographer!” and “Don’t Panic: the smart city is here”.

Design fiction is what I do. I’ve immersed myself in it for the last 3 years, and it is the subject of my doctoral thesis. I’ve explored it by adopting a ‘research through design‘ approach, which in essence means I’ve been ‘researching design fiction by doing design fiction’. It also means I get to be playful, which suits me fine. The ‘doing’ part of design fiction can be great fun (arguably it’s an integral part of getting design fiction’s right) and this has made my PhD experience an absolute blast. Of course there has been a fair amount of reading and desk-based research too but for the most part I have been doing practical experiments with this extremely flexible approach to speculating about the future. One of the many insights coming out of my research is that design fiction achieves many of the same things that design ethnography does. Furthermore it achieves those by leveraging some of the same properties of the world that design ethnography does. Design fiction can easily be adapted to play an important role in virtually any kind of research project.

But what is design fiction? The generally accepted definition of design fiction is the ‘intentional use of diegetic prototypes to suspend disbelief about change‘. That’s a bit of a jargony mouthful. With the most jargony part being the word ‘diegetic‘. Diegetic is the adjective from the noun ‘diegesis’, and diegesis is derived from ancient Greek philosophy. The concept is fiendishly deep and complex, so properly ‘getting’ it is pretty damn hard (and, if I’m honest, probably beyond my modest cognitive capacity). For the purposes of design fiction, however, it can be taken to simply mean ‘story world’. So if we put it like that, design fiction is really quite simple: it’s about incorporating design concepts into story worlds. But why would you join together a design concept and a story world, why put a prototype inside a fictional world, what’s wrong with this world? Well, it’s about the power of situativity, the depth of insight that emerges when action and context are considered together and with equal importance. And this is where the similarity between design fiction and ethnography can be drawn. The combination of design provocation and context is design fiction’s unique selling point (even if it is all just ‘made up’). It differs from traditional notions of fiction in that it tells situations rather than stories. And it differs from normal views of design, in that the designs are only of consequence when considered in terms of the (made up) situations they’re placed within.Read More… Lemon Difficult: Building a Strategic Speculation Consultancy

The Ethnographer’s Reading List: Tricia Wang’s List


For the Ethnography Matters Reading List Series, we’ve invited several ethnographers to share their reading lists with our readers. I want to thank Roy Christopher for giving us the inspiration to create the Reading List series! Every summer, Roy asks friends and colleuage to create a reading list in which he laboriously compiles and links to Powell’s online store. After we saw his list, we wanted to create an onoing one at Ethnography Matters. Do  check out Roy’s 2012 list that has contributions from Howard Reingold to Douglas Rushkoff. First in the line up is Ethnography Matters contributor Tricia Wang, who is coming back from a year and a half of fieldwork and has curated a list ethnographic monographs  and non-fiction books. Carla Borsoi from AOL and Jay Owens from FACE also contribute for July.

We would love to feature your book list! Please contact one of our contributors or email us!
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I haven’t read any books because I’ve been in fieldwork, so I don’t even know where to start. But I managed to narrow down my list into two themes: 1.) ethnographic monographs written by ethnographers and 2.) creative non-fiction written by journalists & writers.

LIST 1: ETHNOGRAPHIC MONOGRAPHS
I’ve chosen several ethnographic monographs about how people learn capitalism. I am quite obsessed with this topic because what I see happening in China is people learning capitalism – like learning how to be a consumer, investor, borrower, and credit card users. Insurance ads are plastered to billboards, malls are open til midnight, and teenagers are learning how to shape their identity through products. Though I’ve always felt helpless when I am observing “capitalism.” Coming from a sociology department, I’ve been heavily trained in Marxist theory. Marxism helps me understand how labor is a  commodity and how people become alienated from their own work. But Marxism doesn’t help me understand why consumers want commodities, how financial markets work, and why capitalism continuously mutates. I’ve found three monographs that address the questions that Marxist theory doesn’t address and that will hopefully help me better understand my field site.Read More… The Ethnographer’s Reading List: Tricia Wang’s List